Tag Archives: doowop

Album Review: CS Luxem’s Symptoms

Some of you may recall I sorta reviewed CS Luxem about a year ago, but had to tap out due to a migraine. I always felt bad because, while I’m sure few people know of my existence, I felt like I shorted folks. I found out he released a new album in February and wanted to check it out. Some of the stuff I noticed that night definitely come out here, but no one came here for a recap of an incomplete review. I certainly got brought more lucidity (hyuk!) to what was otherwise lost in brain fog.

CS Luxem knows how to fuse together styles like ambient, doo-wop, and avant garde and pair it with the surreal and surfer elements. This is most apparent in “Goat Ghost”, “Feed the Dog”, “Space”, and “Heal Support”. It’s refreshing to see something so ambitious that is, for the most part, effectively pulled off with deft. Admittedly it still reminds me of bands like 10 CC and The B-52’s as they were both avant garde in their own ways and pulled it off just as well.

At times, though, the hodge podge of creativity gets problematic as certain elements vie for dominance and the basic elements suffer. This is most apparent when whimsical seems to take priority. One of the worst offenders is “Own Way” where more focus is placed on percussion and being odd that it has no substance. At times, though, it seems as if lacking substance is the point, but then I hear songs like “Hot Corn Girl” where the echo effect overpowers the vocals and– while I suspect the drowning out of lyrics is intentional –sacrifices the lyrics so the listener is left missing out on what should be just as considered just as important if it’s included in a song. It is most apparent when part of the lyrics seemingly allude to myths about Persephone and the Corn Maiden, but can’t be fully made out due to a wall of echo. What is there is left an incomplete idea that sounds interesting but loses effectiveness as a song.

Then again, lyrics may not be a real concern for CS Luxem, as I found most of the songs lacking in this part. Songs like “Let Me Go On” and “Space” clearly have lyrics, though it feels like they aren’t complete ideas expressed in the songs and we’re to focus on everything but what the vocalist sings. If that is the intent I have to question why lyrics exist and aren’t instrumentals, as quite a few songs would be enhanced without them. At times, though, the songs strike a balance with whimsy, sincerity, and lyrical content. Songs like “Spider Webs” and “Symptoms” really present the more sincere approach to lyrics that seem to dance with the song and express a full idea before succumbing to the oddity.

Despite seemingly torching my copy of the album I feel there is much to enjoy from Symptoms. While at times it lacked sincerity CS Luxem promises an experience where the listener can lose oneself in the juxtaposition of avant garde stylings with deceptively mundane rock.

3.2/4

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CS Luxem Shines Their Light (And It Didn’t Help My Migraine)

CS Luxem broke the monotony of ambient music in the night with their combination of music and social awkwardness. While it seemed odd it came together for an interesting show that provided the only fresh air that was in The Replay Lounge by that part of the night.

Luxem provided a nice break from all the ambient music with their combination of doo-wop paired with a strong bass line. Adding off-key vocals and some synth elements to the mix does max it interesting, though at times it felt a little hokey. I felt like at times there was too much in the mix that it was a bit of overkill, such as too strong of a bass line or too much reverb that seemed to serve no purpose. On a more positive note they remind me of a grittier 10 CC.

As I’ve said with other bands that night I’m giving some leeway about their performance as I couldn’t see the stage thanks to a tight crowd. I’m going to give them even more leeway because I started to feel ill and left in the middle of their set. I feel because of that they didn’t get a fair review without it, especially when I left it seems they really started to play their finer songs. What I did get to note was while sometimes over the top musically CS Luxem also delivered equally goofy stage antics. At times it came off a part of the act, but it also felt a little contrived as if trying to mask something.

The audience enjoyed the antics, though, and showed it with lots of cheering. Sadly this section is pretty sparse, which adds to why I’m giving them leeway. It’s not their fault, but at least the audience got to enjoy them.

As I’ve said CS Luxem combines doo-wop and synth with goofiness. What little I did review shows that while a bit rough around the edges can provide something unique and a bit reminiscent of 70’s and 80’s music. I hope to give them a more complete review in the future.

 

Technique- 2

Presentation- 1.5

Audience Interaction- 1

Brownie Points- 0.75

Total- 5.25