It’s Record Store Day, and like others I feel a need to share my thoughts on one particular matter. I will probably repeat what others have said on the topic, but I don’t really express my opinion on these issues. I think we’re all aware of the intention of the day: to support local record stores and the last bastions of purchasing physical copies of music. I don’t think anyone will deny the good intentions behind this. For some indie and local musicians this one of few ways to get their music out there. In an effort to continue to support music stores it feels noble, but I also feel it’s somewhat misguided, namely in supporting local artists by purchasing outmoded forms of music.
One of the arguments I hear is how something like vinyl has overall a better sound quality when compared to something like an mp4 format. I don’t understand the demonizing of newer formats when the evidence is not strong for the comparison. What’s more is these same people will buy an album that was recorded digitally for people to buy as mp4’s. I feel like the chances of the album being of the sound quality those blessed with golden ears ramble about is compromised by the recording process. I also love to point out that when they purchase a re-release of an older album it was most likely digitally restored to bring back that crisp sound they love to describe. Moreover record formats, even for retro formats, isn’t the best way to listen to music. It only beat out hard plastic cylinders –a format which is equal and possible superior to record sound quality –due to better marketing and storage capabilities. I don’t think I’ll see a revival in hard plastic cylinders anytime soon, though, even if it would benefit possibly digitally archiving music from the earlier part of the 20th century.
Then again, the revival of older formats has surprised me and demonstrated how it’s not about the actual sound quality, but the perceived quality. I’m talking about the revival of cassette tapes. When I was younger I did prefer them over CD’s. Now that I’m older and had the pleasure of experiencing different formats I understand why its obsolescence was imminent since its inception. Like wax cylinders it was difficult to store without compromising the quality of the sound, it was easily destroyed, you could record over it without too much difficulty, the listening experience was limited to the quality of the player and quality of the musical product itself. Anyone who dealt with trying to listen to a cassette with a damaged tape knows what I mean. Nonetheless indie artists are selling cassettes of their music. Even some of my former bandmates sell their music on cassette. The fact it’s seeing a revival indicates it’s met with some welcome reception.
In some ways having a hard copy of an independent artist’s work is still helping. For some it’s still a viable way of getting their music out to world and fund their tour or future work. I often see out of town musicians selling CD’s and the occasional cassette. People do buy them at the shows. They’re selling, even if I don’t know to what extent. It’s supporting indie artists in some way.
I believe this is the pivotal issue of stuff like Record Store Day. When I started off in the mid 00’s reviewing music there was a revival in vinyl records. At the time it was hard to find a record player, especially one that worked and was affordable. Folks still purchased the albums with the same dubious arguments of sound quality were made. Those who purchased were supporting indie artists. As the revival continued mainstream labels re-released albums previously on vinyl or they converted previously CD-only formats to vinyl. There was a resurgence is producing record players, but I saw where folks were purchasing more vinyl by mainstream artists than indie ones. Now I’m more likely to see vinyl albums by mainstream artists than indie ones. I’m sure there are other reasons, especially with the cost of producing a hard copy of an album involved. I think, though, if we are buying records to support local record stores we need to also consider buying vinyl of local and indie music. If we’re so willing to support a physical format to create a day for it, we need to also remember the artists who support them.
A bit of an epilogue: in case anyone was wondering I now own a record player. It also has a cassette deck and an 8-track player. You know, just in case.
Posted in irrelevant, music, Oh Noes! An Uninvited Opinion
Tagged cassette, indie, local, plastic cylinders, record, record store day, rsd, support, uninvited opinion, wax cylinders
CS Luxem broke the monotony of ambient music in the night with their combination of music and social awkwardness. While it seemed odd it came together for an interesting show that provided the only fresh air that was in The Replay Lounge by that part of the night.
Luxem provided a nice break from all the ambient music with their combination of doo-wop paired with a strong bass line. Adding off-key vocals and some synth elements to the mix does max it interesting, though at times it felt a little hokey. I felt like at times there was too much in the mix that it was a bit of overkill, such as too strong of a bass line or too much reverb that seemed to serve no purpose. On a more positive note they remind me of a grittier 10 CC.
As I’ve said with other bands that night I’m giving some leeway about their performance as I couldn’t see the stage thanks to a tight crowd. I’m going to give them even more leeway because I started to feel ill and left in the middle of their set. I feel because of that they didn’t get a fair review without it, especially when I left it seems they really started to play their finer songs. What I did get to note was while sometimes over the top musically CS Luxem also delivered equally goofy stage antics. At times it came off a part of the act, but it also felt a little contrived as if trying to mask something.
The audience enjoyed the antics, though, and showed it with lots of cheering. Sadly this section is pretty sparse, which adds to why I’m giving them leeway. It’s not their fault, but at least the audience got to enjoy them.
As I’ve said CS Luxem combines doo-wop and synth with goofiness. What little I did review shows that while a bit rough around the edges can provide something unique and a bit reminiscent of 70’s and 80’s music. I hope to give them a more complete review in the future.
Audience Interaction- 1
Brownie Points- 0.75
Posted in electronic, music, review, rock
Tagged alternative rock, april, doowop, music, replay lounge, review, rock, synth
Coming all the way from Colorado to grace The Replay Lounge is Tycho Alba. I’ll admit I couldn’t help but make a horrible wordplay on the artist Tycho in the title of this article. In reality the only similarities they share are something with Tycho in their names and tend to create ambient music.
Tycho Alba captures ambient music vibes and mixes it with atonal vocals (though I suspect at times the singer just missed the pitch) and synth elements reminiscent of 80’s electronic music. At times they varied on this by pulling from disco or jazz (and in one song power chords) in order to create a sound that I can only really describe as both playing into ambient music and a new wave revival. They also go as far as to create dissonance within their music while not compromising the tranquility of the music. One song in particular featured a very staccato rhythm with the smooth, connecting elements of ambient melodies. However, one of the pitfalls of ambient music is its monotony, and Tycho Alba can’t escape it. There were times where the songs sounded too much alike where, had they been played consecutively, I would have figured was a long song. However I think this band’s aware of this pitfall and at least came prepared to keep the audience’s attention.
As I’ve said in other reviews I find it hard to review an ambient performance. The point of the music is to be relaxing and trance-like. Playing at a venue that tends to be lively proves challenging, especially for music that provides a relaxing atmosphere. It can put a show at odds with the surroundings. These guys were able, from what I could see without a crowd, show some enthusiasm with their music They also joked a bit with audience and engaged further with special effects. At least, I think fog machines fall under special effects. Either way they used it, and boy did it release a lot of fog! The audience didn’t seem to mind, though.
The audience, in fact, seemed somewhat engaged. As I noted they gathered closely around the stage so I had a hard time watching the performance. There was a bit of cheering and applauding throughout, and it seemed fairly consistent with the exception of one or two songs. As I said, playing ambient music live can be tough, especially at a lively venue.
Overall Tycho Alba are able to add to ambient music by incorporating at times very dichotomous elements. Even though they still fall into the trappings of performing ambient music at times they still manage to captivate the audience as much as the genre is capable of doing.
As of late The Replay Lounge has some act where they play ambient music every time I visit. I’m not sure why that’s the trend, but I found myself catching a band who has Michelle Bacon (locals probably know her from quite a few other bands such as The Philistines). Since I’ve enjoyed other bands she’s played in I felt I was in for a treat. I learned some stuff after the performance when I went to research the band. Based on research it seems Heidi Gluck is a multi-talent solo act who recruited musicians for her live performances. I’m presuming then the songs are written by her and will address that aspect as such. In spite of this being more of a solo work I feel Heidi’s work is both unexpected and familiar.
I applaud Heidi Gluck for tying soothing ambient aspects and gritty alternative rock with vaudeville theatrics. I can’t recall if I’ve heard that combination before and I feel it’s pulled off well. She put a lot of thought into their sound and it’s a welcome change from the typical ambient music I’ve heard at The Replay Lounge lately. The weakest point musically came from not the unique blend, but the pitfalls of being creative: at some point one’s musical influences show up in one’s own work. Unfortunately the influences stand out too much and take the foreground periodically. There were times I felt the lyrics and other parts of musical composition were so familiar, as if they came from songs I’ve heard. I couldn’t tell if that was on purpose, but it detracts from the music for me. Pairing up what I suspect is an issue with composition is while aesthetically and creatively strong, lyrically they’re weak at times. While I do enjoy metaphors comparing love to target shooting –a metaphor fleshed out the entire song – I didn’t feel the juxtaposition lyrically added anything to the music.
I’m giving them leeway in the presentation aspect with some extra points because I had a hard time actually seeing them play. From what I could hear, though, there were moments where we got to see everyone on stage interact with the audience, such as the proud announcement for Heidi (for which I envy you). These little moments help bring out a performance. I do have one thing that I feel goes into this category that is important to note. I’d like to suggest rearranging the set list for venues like The Replay Lounge. In particular, while the audience may have been gathered around, at this venue there’s a lot competing for their attention. You are dealing with televisions, pinball machines, anything that’s going on out on the patio, and sometimes more. Starting off with ambient music when the set list contains other songs that are more energetic and unique are a disservice to the performance.
I couldn’t see how the band performed, but I did see how the audience reacted. The very fact they crowded the stage to watch is great. As I said, though, there’s more to a concert than performing well. It’s not just about great music and looking cool, it’s about actually getting the audience to engage with you as well. They were somewhat engaged early on, which was evidenced by cheering and clapping. It increased more when the music got less ambient and more vivacious.
I think there’s a lot of creativity and ambition in Heidi Gluck and she will go very far. Musically my only input is to make sure the creativity is paired with meaning and authenticity so the work will blend into something deeper and unique.
Posted in ambient, music, progressive, punk, rock
Tagged alternative rock, ambient, april, heidi gluck, music, progressive, replay lounge, review, rock, trance